One of the many exciting aspects ofThe Dark Knightis how the motion-picture show contain IMAX blastoff . Friends who watched the celluloid have called the shots absolutely arresting and incredibly immersive ; another reason why this is the Best . Movie . Ever . Having yet to see it , I can only suspire wistfully and aggregate selective information on how it was done . Popular Mechanicshas a great write - up of the challenge in take with an IMAX photographic camera , including a behind - the - scene video on how the action came together .

IMAX cameras , which use 70 mm cinema , are much larger and heavy than a traditional 35 mm machine . Among the plethora of changes to lodge IMAX , technicians reinforced gyrostabled outback ascendency camera cranes , crafted sturdier rigs to be mounted on cars , and storm one pitiable cameraman to really channel the damn thing on his shoulders in an especially tense S.W.A.T. Team episode .

When you ’re done train the video out , head over toWired(if you have n’t already ) for even more information onChristopher Nolan‘s methods and foolishness . helicopter , wrangle with the Chinese government ; the making of this moving-picture show could be its own movie . [ Popular Mechanics ]

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